This document contains important late-breaking information about Compressor. Choose Help > New Features when using Compressor to get information on the new features added in Compressor 1.2. For the latest information about product updates, tips and techniques, and qualified third-party devices, visit the Compressor website at http://www.apple.com/finalcutpro/compressor.html.
Read the following points for compatibility information about Compressor 1.2.
New Presets Included
Compressor 1.2 includes new presets designed to be used with high definition (HD) sources and with the new MPEG-1 encoder.
The new presets are automatically available in new Compressor 1.2 installations. If you are updating an earlier version of Compressor, you must remove the existing presets before Compressor will update to the new ones.
To update the presets of an earlier version of Compressor:
Incorrect Preset Names Appear for Source Media Files Dragged From the
History Drawer
If you drag a submitted job from the History drawer to the Batch table for resubmission, the Preset column displays the output filename of the media file as well as the preset name. This applies to presets for all encoders, but it has no impact on the resulting output media file.
Media File Codecs May Be Unrecognized When Working With Third-Party
Codecs
Compressor supports any of the QuickTime codecs. However, if you attempt to transcode a file whose codec is not installed, you may see strange drawing behavior throughout the application. Typically, parts of your monitor are drawn in black, and movies don't appear in the Preview window. Make sure you have the proper codec installed for your source media file.
To see which codec was used to create your source media file:
To see whether Compressor will recognize your source media file's codec:
Some Final Cut Pro Output Media Files Are Saved to the Root Boot Partition
If you are using Compressor to transcode a Final Cut Pro project and you choose Source as your destination, your resulting file(s) are saved to the root boot partition of your computer rather than to the source location.
Important Information Regarding MPEG-2 Files Generated by Compressor and DVD Studio Pro
Timecode
DVD Studio Pro 1.5.2 doesn't recognize imported MPEG-2 files generated from Compressor when the timecode wraps in the following way for the following broadcast formats:
If your source media file is of a duration that you know will cause a timecode wrap to 00:00:00:00 and you intend to export the MPEG-2 output media file to DVD Studio Pro 1.5.2, select the "Choose start timecode" checkbox in the MPEG-2 Encoder Video Format pane in the Presets window, and enter the timecode 00:00:00:00 in the related "Choose start timecode" field.
To view Final Cut Pro video output on the main computer display connected to your computer:
Chapter Markers
Chapter markers set in Final Cut Pro and transcoded in Compressor, or set directly in Compressor, will not be present in the imported MPEG-2 data in versions earlier than DVD Studio Pro 2. However, I-frames will be set where chapter markers were named. If you are using a version earlier than DVD Studio Pro 2, you have several options.
Final Cut Pro native projects
You have the following options for Final Cut Pro native projects:
Compressor native projects
You can set chapter markers using the Compressor Preview window, but they will not be preserved when exported to versions earlier than DVD Studio Pro 2. I-frames will be preserved. If you are using a version prior to DVD Studio Pro 2, you can manually set the chapter markers directly in DVD Studio Pro.
Note: MPEG-2 streams with additional DVD Studio Pro meta-data are only compatible with DVD Studio Pro 2 (or later). MPEG-2 streams processed with this checkbox selected will not be compatible with versions prior to DVD Studio Pro 2.
MPEG-2 Automatic Field Dominance Ordering Inconsistent If you are using the Automatic Field Dominance setting in the MPEG-2 Video Format pane, the auto-detection mechanism sometimes picks the wrong field order (top or bottom). Auto-detection chooses the correct field order when the source media file is using the DV codec, but with many other codecs it chooses the wrong field order (all of the Compressor default MPEG-2 settings use Automatic Field Dominance).
To correct this inconsistency, create a new preset or duplicate an existing one, and set the field dominance to either "Top first" or "Bottom first" (rather than Automatic) to correspond to the field dominance of the source media file you want to transcode.
Transcoding With Compressor in Final Cut Pro When you submit a Final Cut Pro project for transcoding, Final Cut Pro begins to render and transcode frames via Compressor. You have the option to pause or cancel this process in Final Cut Pro. The recommended method for pausing a Final Cut Pro to Compressor job is to use the Stop button in the Batch Monitor toolbar. The recommended method for stopping a Final Cut Pro to Compressor job is to use the Delete button in the Batch Monitor toolbar.